#jo bauer-stumpff

[dutch-and-flemish-painters]

Richard Roland Holst - Portrait of the paintrist Jo Bauer-Stumpff - 1937

Richard Nicolaus (Rik) Roland Holst (Amsterdam, December 4, 1868 - Bloemendaal, 31 December 1938) was a Dutch visual artist: painter, draftsman, lithograph, bookbuster designer, etcher, carpenter, glass maker and writer.

Jo Bauer-Stumpff (September 5, 1873 – February 5, 1964) was a Dutch painter. Bauer-Stumpff was born in Amsterdam and trained at the Rijksakademie van beeldende kunsten there, where she studied under August Allebé. Her father William Stumpff was director-general at the Royal Dutch theatre. She was a member of Arti et Amicitiae (where she won a medal in 1952) and the Hollandse Aquarellisten Kring and is considered one of the Amsterdamse Joffers. In 1902 she married the painter Marius Bauer. The couple lived in Villa Stamboel in Aerdenhout and lived from 1916 in Amsterdam. They made trips abroad to the Dutch East Indies and Egypt. She stopped painting almost altogether after marriage and cared for her husband. The marriage was childless. After his death, she became more active as an artist again. She is known for still lifes and portraits. Her pupils were Ans van den Berg, Frederik Henderik de Meester, and Hillegonda Henriëtte Tellekamp. Bauer-Stumpff died in Amsterdam.

[huariqueje]

Antinoüs   -    Johanna 'Jo' Bauer-Stumpff

Dutch, 1873 –1964

Oil on panel ,  82 x 73 cm

[arthisour-blog]

Marius Alexander Jacques Bauer (Jan 25, 1867 – Jul 18, 1932) was a Dutch painter, etcher and lithographer; best-known for his Oriental scenes. His style was largely Impressionistic, although it also derived to some extent from the Hague School. Many of his works were based on photographs he bought during his travels; some of which were by famous photographers such as Félix Bonfils.

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His father was a stage painter who encouraged his son’s early interest in drawing. From 1878 to 1885, he studied at the Royal Academy of Art, under the direction of Jan Philip Koelman, but thought his approach was too conservative and left without graduating. While there, his works were awarded several medals and he received a stipend from King William III, which enabled him to study independently.

In 1888, he made a study trip to Istanbul, financed by the art dealership, Van Wisselingh & Co., and decided to make Orientalism his principal subject. Later, he made numerous trips to Morocco, Algeria, Egypt, India, Ceylon and the Dutch East Indies, sketching and collecting items for Van Wisselingh. He also worked as an illustrator for the short-lived literary journal, De Kroniek, attending the coronation of Tsar Nicholas II on its behalf.

In 1894, he won a first-class medal at the Exposition Internationale d’Anvers. Two years later, he was awarded the Willink van Collenprijs. He received the Grand Prix at the Exposition Universelle (1900). In 1902 he married the painter, Jo Stumpff, one of the Amsterdamse Joffers. This was followed by a successful showing at the Louisiana Purchase Exposition. He would continue to exhibit regularly throughout Europe and North America.

In 1900, he was named a Ridder in the Order of Orange-Nassau. Six years later, he was upgraded to an Officer for his contributions to the Rembrandt Tri-centennial. In 1911, King Albert I of Belgium awarded him the Order of the Crown and, in 1927, he became a Ridder in the Order of the Netherlands Lion. He was a long-standing member of the Pulchri Studio and Arti et Amicitiae. In 1930, he became an honorary member of the Senefelder Club. Two years later, he died of a stroke. A street is named after him in the neighborhood of streets dedicated to 19th and 20th century Dutch painters in Overtoomse Veld, Amsterdam.

In 1996, the “Bauer Documentatie Stichting” (BDS) was established. Its goal is to raise awareness of his works and do more research on the sources of his paintings.

Marius Bauer was originally published on HiSoUR Art Collection

[dutch-and-flemish-painters]

Ans van den Berg - Still life with flowers - 

Anna Carolina van den Berg (Amsterdam, 18 February 1873 - October 6, 1942) was a Dutch painter. Ans van den Berg belonged to the Amsterdam Joffers, a group of women who specialized in painting still life and flowers in a smooth impressionist style. She was the only Amsterdam-based Joffers who did not visit the Academy, but through a learning time in Paris she developed into a handsome painter. She painted portraits and figures, Larense interiors, but her preference went to flower stillness. After visiting Brussels after finishing the boarding school, she received paintinglessons from Miss Keuchenius in Amsterdam, later Mrs Dijsselhof, while Jo Bauer taught her in drawing to the human figure. From time to time she stayed in Paris, where she had drawn a lot to living model and where the figure kept her very busy. Returning to Holland, she has a lively movement with a group of Larense painters (the Larense School) where she met with the painters Hogerwaard and De Groot. Also, Larense in the house, a sought-after subject in those days, she chose herself. With Jacoba Surie she had 36 years of a workshop at the Keizersgracht and with her spent many years traveling on holiday with which the sketch block was always taken.

At the academy there was a circle of artists who later became the Amsterdam Joffers, consisting of the painters Lizzy Ansingh, Marie van Regteren Altena, Coba Ritsema, Jacoba Surie, Nelly Bodenheim, Betsy Westendorp-Osieck and Jo Bauer-Stumpff.

[dutch-and-flemish-painters]

Jan Veth - Portrait of Marius Bauer - 1894

Jan Pieter Veth (18 May 1864, Dordrecht – 1 July 1925, Amsterdam) was a Dutch painter, poet, art critic and university lecturer. He is especially noted as a portrait painter. Amongst his sitters were Max Liebermann, Lambertus Zijl, Frank van der Goes, Antoon Derkinderen and other contemporaries including various fellow painters.

Marius Alexander Jacques Bauer (25 January 1867 in The Hague – 18 July 1932 in Amsterdam) was a Dutch painter, etcher and lithographer; best known for his Oriental scenes. His style was largely Impressionistic, although it also derived to some extent from the Hague School. Many of his works were based on photographs he bought during his travels; some of which were by famous photographers such as Félix Bonfils.

His father was a stage painter who encouraged his son's early interest in drawing. From 1878 to 1885, he studied at the Royal Academy of Art, under the direction of Jan Philip Koelman, but thought his approach was too conservative and left without graduating. While there, his works were awarded several medals and he received a stipend from King William III, which enabled him to study independently.

In 1888, he made a study trip to Istanbul, financed by the art dealership, Van Wisselingh & Co., and decided to make Orientalism his principal subject. Later, he made numerous trips to Morocco, Algeria, Egypt, India, Ceylon and the Dutch East Indies, sketching and collecting items for Van Wisselingh. He also worked as an illustrator for the short-lived literary journal, De Kroniek, attending the coronation of Tsar Nicholas II on its behalf. In 1894, he won a first-class medal at the Exposition Internationale d'Anvers. Two years later, he was awarded the Willink van Collenprijs. He received the Grand Prix at the Exposition Universelle (1900). In 1902 he married the painter, Jo Stumpff, one of the Amsterdamse Joffers. This was followed by a successful showing at the Louisiana Purchase Exposition. He would continue to exhibit regularly throughout Europe and North America. In 1900, he was named a Ridder in the Order of Orange-Nassau. Six years later, he was upgraded to an Officer for his contributions to the Rembrandt Tri-centennial. In 1911, King Albert I of Belgium awarded him the Order of the Crown and, in 1927, he became a Ridder in the Order of the Netherlands Lion. He was a long-standing member of the Pulchri Studio and Arti et Amicitiae. In 1930, he became an honorary member of the Senefelder Club. Two years later, he died of a stroke.